Szuper Gallery are a group of artists who base their work upon colonizing host institutions through role-playing and subtle duplicity. They set a competition to design a ‘mobile gallery’, and Newbetter responded by proposing a ‘trojan horse’ for the art world. Based upon the archetypal modern art armature of the ubiquitous and symbolic ‘white wall’, White Noise consisted of four docile white walls that would travel, and, upon arrival, would transform into bits of furniture, exhibition devices, a sales office and a secret door. Like the mutation of Mogwai to Gremlin in the movie, White Noise mimicked its artist-client in being tame and subversive in equal measure. It was an exercise in synthesizing complex programmatic needs with economic means of space and transport.