Topshop’s flagship Oxford Circus store had been hiding a little known concessionary called Boutique. In 2002, fashion’s notoriously fickle curiosity with all things ‘vintage’ gave way to a more modern affair. Tank magazine and Newbetter were approached by Topshop to rehaul Boutique’s image completely, from concept, to logo, graphics and architecture.

Amidst Topshop’s already over-saturated image environment, Newbetter’s idea was to employ the language of erasure, and thus insert something spectacularly silent in direct contrast. An interior of hard, shiny white surfaces was contained by a twisting acrylic black ‘ribbon’. The space hosted a ‘curatorial’ programme where noted stylists were invited to ‘dress’ the architecture using items from Boutique’s collection. Each stylist’s constructed outfit floated in a Perspex case, drawing customers in, including one Gwyneth Paltrow.

 
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